Library Inventory 2017
March 22, 2017
black out poetry
How to Create Blackout Poetry
April 3, 2017
Library Inventory 2017
March 22, 2017
black out poetry
How to Create Blackout Poetry
April 3, 2017

April is National Poetry Month! We’ve had all winter long to curl up under a blanket and turn a few pages, and now it’s finally time to break out. To get in both the spirit of spring and of poetry, we present you some of our favorite poems here at COMPanion Corporation. We don’t just make library automation software, we live and breathe it!

 

Josh Hutchings | Certified Training Coach

“Book of Dreams”

Jack Kerouac

I’m looking for a place to sit and write quietly at the baseball park and go around a fountain and batting cage wire to a bench on the side where there’s an old typewriter & desks under a tree and here I turn into Malcolm Cowley and start typing – but so old the Machine, to register letters ya gotta hit it one finger at a time hard, which I do, – & there’s a sad young kid there, of 18, definite personality, curly brown hair, thoughtful, as an interested old Man of Letters I begin to interview him sympathetically and find he’s a young tender poet so saddened he doesnt write much, or some such, — walked 2 1/2 miles before I wrote this, so part forgot – So he stares into space in my dream and I worry about him — Who’s subjective? Who’s objective?

 

 

Mia Schjelderup | Lead Developer

“The Old Pond”

Matsuo Basho

Furuike ya
kawazu tobikomu
mizu no oto

The old pond–
a frog jumps in,
sound of water.

Diana Griffith | Regional Sales Manager

“Still I Rise”

Maya Angelou
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.
Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?
Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Marie Hofmann | Human Resources

“Runny Babbit” – excerpt

Shel Silverstein
Dankee Yoodle tent to wown
Piding on a rony.
He stuck a heather in his fat
And malled it cararoni.
He met Runny Babbit hoppin’
Where the stound was grony,
Runny on his pittle laws
Dankee on his pony said
Runny, “Oh dear Dankee,
I think a borm just wit me.”
Said Dankee, “Oh poor Runny,
Rump up and jide here with me.”
And so they tode off into rown
To buy some bresh faloney
Dankee Yoodle and his friend,
Piding on the rony.

Micah Reller | Director of Technical Services

“Baldr’s Draumar”

Poetic Edda

1. Once were the gods | together met,
And the goddesses came | and council held,
And the far-famed ones | the truth would find,
Why baleful dreams | to Baldr had come.

2. Then Othin rose, | the enchanter old,
And the saddle he laid | on Sleipnir’s back;
Thence rode he down | to Niflhel deep,
And the hound he met | that came from hell.

3. Bloody he was | on his breast before,
At the father of magic | he howled from afar;
Forward rode Othin, | the earth resounded
Till the house so high | of Hel he reached.

4. Then Othin rode | to the eastern door,
There, he knew well, | was the wise-woman’s grave;
Magic he spoke | and mighty charms,
Till spell-bound she rose, | and in death she spoke:

5. “What is the man, | to me unknown,
That has made me travel | the troublous road?
I was snowed on with snow, | and smitten with rain,
And drenched with dew; | long was I dead.”

Othin spake:
6. “Vegtam my name, | I am Valtam’s son;
Speak thou of hell, | for of heaven I know:
For whom are the benches | bright with rings,
And the platforms gay | bedecked with gold?”

The Wise-Woman spake:
7. “Here for Baldr | the mead is brewed,
The shining drink, | and a shield lies o’er it;
But their hope is gone | from the mighty gods.
Unwilling I spake, | and now would be still.”

Othin spake:
8. “Wise-woman, cease not! | I seek from thee
All to know | that I fain would ask:
Who shall the bane | of Baldr become,
And steal the life | from Othin’s son?”

The Wise-Woman spake:
9. “Hoth thither bears | the far-famed branch,
He shall the bane | of Baldr become,
And steal the life | from Othin’s son.
Unwilling I spake, | and now would be still.”

Othin spake:
10. “Wise-woman, cease not! | I seek from thee
All to know | that I fain would ask:
Who shall vengeance win | for the evil work,
Or bring to the flames | the slayer of Baldr?”

The Wise-Woman spake:
11. “Rind bears Vali | in Vestrsalir,
And one night old | fights Othin’s son;
His hands he shall wash not, | his hair he shall comb not,
Till the slayer of Baldr | he brings to the flames.
Unwilling I spake, | and now would be still.”

Othin spake:
12. “Wise-woman, cease not! | I seek from thee
All to know | that I fain would ask:
What maidens are they | who then shall weep,
And toss to the sky | the yards of the sails?”

The Wise-Woman spake:
13. “Vegtam thou art not, | as erstwhile I thought;
Othin thou art, | the enchanter old.”

Othin spake:
“No wise-woman art thou, | nor wisdom hast;
Of giants three | the mother art thou.”

The Wise-Woman spake:
14. “Home ride, Othin, | be ever proud;
For no one of men | shall seek me more
‘Til Loki wanders | loose from his bonds,
And to the last strife | the destroyers come.”

 

 

Olivia Boulton | Director of Marketing

“The Four Quartets” – excerpt

T.S. Eliot

Time present and time past
Are both perhaps present in time future
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

 

 

Vincent Myers | Technical Writer
Dylan Thomas

“And Death Shall Have No Dominion”

And death shall have no dominion.
Dead man naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan’t crack;
And death shall have no dominion.

And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.

Andrew Crane | Software Developer

“Up, Down, Touch the Ground”

R. Sherman

When I up, down, touch the ground
It puts me in the mood
Up, down, touch the ground
In the mood for food

I am stout, round and I have found
Speaking poundage-wise,
I improve my appetite
When I exercise

I am short, fat, and proud of that
And so with all my might
I up, down, up-down
To my appetite’s delight
While I up, down, touch the ground
I think of things to chew
(Mmm, like honey, milk, and chocolate)
With a hefty-happy appetite
I’m a hefty-happy Pooh

 

 

Myra Schjerlderup | UX Designer

“The Lake Isle of Innisfree”

W.B. Yeats
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

Duncan Livingston | Quality Assurance

“The Satyr”

Mary Stevenson

When the flowery hands of spring
Forth their woodland riches fling,
Through the meadows, through the valleys
Goes the satyr carolling.

From the mountain and the moor,
Forest green and ocean shore
All the faerie kin he rallies
Making music evermore.

See! the shaggy pelt doth grow
On his twisted shanks below,
And his dreadful feet are cloven
Though his brow be white as snow—

Though his brow be clear and white
And beneath it fancies bright,
Wisdom and high thoughts are woven
And the musics of delight,

Though his temples too be fair
Yet two horns are growing there
Bursting forth to part asunder
All the riches of his hair.

Faerie maidens he may meet
Fly the horns and cloven feet,
But, his sad brown eyes with wonder
Seeing-stay from their retreat.

Elaine Passey | Account Specialist

“Footprints in the Sand”

Mary Stevenson

One night I dreamed a dream.
As I was walking along the beach with my Lord.
Across the dark sky flashed scenes from my life.
For each scene, I noticed two sets of footprints in the sand,
One belonging to me and one to my Lord.

After the last scene of my life flashed before me,
I looked back at the footprints in the sand.
I noticed that at many times along the path of my life,
especially at the very lowest and saddest times,
there was only one set of footprints.

This really troubled me, so I asked the Lord about it.
“Lord, you said once I decided to follow you,
You’d walk with me all the way.
But I noticed that during the saddest and most troublesome times of my life,
there was only one set of footprints.
I don’t understand why, when I needed You the most, You would leave me.”

He whispered, “My precious child, I love you and will never leave you
Never, ever, during your trials and testings.
When you saw only one set of footprints,
It was then that I carried you.”

Leeanna Burford | Operations

“Something That You Should Know”

Cecilia Borromeo

My secrets
appear on your window
when you fog the division
with your own warm breath;
you lost yourself in their presence,
in your search for
cheekbones on sunflowers
and night blades
by the moon’s chin.
impatience hummed your fears,
and the absence you cherished
quickly dissolved.
the only way to know is
to
ask
nothing.

J Bethers | Sr. Software Developer

“The Touch of the Master’s Hand”

Myra Brooks Welch

‘Twas battered and scarred,
And the auctioneer thought it
hardly worth his while
To waste his time on the old violin,
but he held it up with a smile.

“What am I bid, good people”, he cried,
“Who starts the bidding for me?”
“One dollar, one dollar, Do I hear two?”
“Two dollars, who makes it three?”
“Three dollars once, three dollars twice, going for three,”

But, No,
From the room far back a gray bearded man
Came forward and picked up the bow,
Then wiping the dust from the old violin
And tightening up the strings,
He played a melody, pure and sweet
As sweet as the angel sings.

The music ceased and the auctioneer
With a voice that was quiet and low,
Said “What now am I bid for this old violin?”
As he held it aloft with its’ bow.

“One thousand, one thousand, Do I hear two?”
“Two thousand, Who makes it three?”
“Three thousand once, three thousand twice,
Going and gone”, said he.

The audience cheered,
But some of them cried,
“We just don’t understand.”
“What changed its’ worth?”
Swift came the reply.
“The Touch of the Masters Hand.”

“And many a man with life out of tune
All battered and bruised with hardship
Is auctioned cheap to a thoughtless crowd
Much like that old violin

A mess of pottage, a glass of wine,
A game and he travels on.
He is going once, he is going twice,
He is going and almost gone.

But the Master comes,
And the foolish crowd never can quite understand,
The worth of a soul and the change that is wrought
By the Touch of the Masters’ Hand.

Mary McBroon | Customer Support

“Annabel Lee”

Edgar Allan Poe
It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.
I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.
And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.
The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;
For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.

 Betsy Gordon | Software Developer

“Bilbo’s Last Song”

J.R.R. Tolkien

Day is ended, dim my eyes,
but journey long before me lies.
Farewell, friends! I hear the call.
The ship’s beside the stony wall.
Foam is white and waves are grey;
beyond the sunset leads my way.
Foam is salt, the wind is free;
I hear the rising of the Sea.

Farewell, friends! The sails are set,
the wind is east, the moorings fret.
Shadows long before me lie,
beneath the ever-bending sky,
but islands lie behind the Sun
that I shall raise ere all is done;
lands there are to west of West,
where night is quiet and sleep is rest.

Guided by the Lonely Star,
beyond the utmost harbour-bar,
I’ll find the heavens fair and free,
and beaches of the Starlit Sea.
Ship, my ship! I seek the West,
and fields and mountains ever blest.
Farewell to Middle-earth at last.
I see the Star above my mast!

Michael Lach | Regional Sales Manager

“The Road Not Taken”

 Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

 

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